Subwoofers 10" - Rockford Fosgate P310D4

To choose the right subwoofer, you really have to understand how different subwoofer designs act in different situations and how they work with the rest of your system. We have always believed that the better you understand how to get the most out of your subwoofer investment, the happier you will be when you start to use your new subs. We find we need to teach most customers the fundamentals of subwoofer design and get rid of some misconceptions they may have before they really understand what they need. We don't claim to know everything, but years of experience in all situations has given us insight.

The two biggest determining factors in choosing the best type of subwoofer you need are the subwoofer's specific application, and the type of enclosure you are going to use to reproduce the frequencies right above your subwoofer crossover point.

Rockford Fosgate P310D4 - Subwoofer 10"

Arabolic Triangular Geometry cone support system for reduced piston flex Massive 77oz. magnet assembly increases excursion capability Compliant linear spider eliminates need for break-in period Precision 2-piece basket is cast from aluminum alloy to add rigidity and help cool the motor assembly 2.5" anodized aluminum voice coil former stays up to 100� cooler Reversible concealing ring hides mounting screws Large roll surround allows for 20% greater linear excursion than standard surrounds Embedded Tinsel leads lower resistance for improved reliability Custom compression terminals accept up to 8 gauge wire Mounting Depth: 6.3" Cutout Diameter: 10.81" Size: 10 inch Rec. Sealed Box Dims: 0.65 cu.ft. Rec. Ported Box Dims: 1.00 cu.ft. Free Air Usage: not recommended Sensitivity: 85 dB Frequency Response: n/a Recommended RMS Power: 400W Peak Power Handling: 800W Impedance: dual 4 ohms

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Equalizer/Processor - Soundstream BX-10 Digital Bass Recon. Processor

The equalizer is a sophisticated tone control for the system, adjusting many different low, mid and high frequencies. Equalizers come in many forms including dash and trunk mount units with either graphic, parametric, or quasi-parametric processing. The most common type of unit is the graphic, in-dash variety. Usually half the height (half-DIN) of a source unit, this type is the most easily adjustable and therefore the most often misused. An equalizer should really only be set once to overcome the acoustic problems of the car and then adjusted only periodically when tuning the system. This is why thirty band trunk mount units are used in car audio competition more often than the in-dash ten band variety. When using an equalizer do not overdue the boost on a frequency. If possible try to cut a frequency rather than boosting another. Over equalizing a system can cause damage to the components, especially the speakers.

Soundstream BX-10 Digital Bass Recon. Processor

Digital Bass Reconstruction processor / Max. Bass Control / Dash Mount Remote Control / Bass Restoration Lighted Display / Parametric Bass Control / PFM Subsonic Filter / Balanced Inputs / Bass Output Control / PWM High Head Room Power Supply / Output Level: 13.5 volt / Frequency Response: 10Hz-100KHz / THD: 0.003% / S/N Ratio: 130dB / Balanced Input Noise Rejection: 60 dB / Soundstream BX10 - Soundstream BX 10 Digital Bass Reconstruction processor

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Amplifiers - 2 Channel - Kicker ZX2002 AMP 2x100w

A CD or cassette radio produces no more than a maximum of nine "real" watts into four speakers given the power it's getting from the car's electrical system. So what if you want more than nine real watts to power each of your four speakers? You need an amp.

It's true that amplifiers will give you more power, which will let you play your music more loudly. Amplifiers also improve the sound quality of your music at all volume levels.

An amplifier's job is to take a signal from a source (input) and make it larger (gain). The hard part is amplifying the signal without adding any "artifacts" or distortion. Amps must have a power supply strong enough to keep them going and must store enough power (current) to deliver all of the transients (drum kicks, power chords, the slap of a bass guitar) in the music.

Kicker ZX2002 AMP 2x100w - 2 Channel Amplifier

Number of Channels 2 / RMS Power (4 ohms) 70 watts x 2 chan. / RMS Power (2 ohms) 100 watts x 2 chan. / RMS Power (1 ohm) Not Stable / Bridged RMS Power 200 watts / Peak Power Output 400 watts approx. / Min. Impedance Unbridged 2 ohms / Min. Impedance Bridged 4 ohms / THD @ Rated RMS Power 1% / Speaker Level Inputs Yes / Amp Preamp Outputs Yes - 1 pair / Built-in Crossover Yes - HP / LP / High-Pass Crossover 50 Hz - 200 Hz / Low-Pass Crossover 50 Hz - 200 Hz / Subsonic Filter N/A / Signal-to-Noise Ratio 95 dB / Channel Separation N/A / Bass Boost 0 - 18 dB / Bass/Gain Remote N/A / Fan Cooled Yes / Fuse Rating 30A / Warranty 2-year Authorized Manufacturer's

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Car Audio Speaker Wire - Import SW-SW-16500

Speaker wire is also important in terms of size and strands for the same reasons but the jacket is not as important because it will not see the same chemicals as the power wire. When shopping for speaker wire, look for oxygen free copper (OFC) wiring. The size of your speaker wiring depends on the amount of power going to your speakers and the length of wire from the amplifier to the speakers. Most systems will need to use 16 gauge to 12 gauge wire.

Import SW-SW-16500 Speaker Wire

Speaker Wire / 16 Gage 500 Ft.

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Amplifier - Mono - Hifonics BXi-1206D Amplifier

A CD or cassette radio produces no more than a maximum of nine "real" watts into four speakers given the power it's getting from the car's electrical system. So what if you want more than nine real watts to power each of your four speakers? You need an amp.

It's true that amplifiers will give you more power, which will let you play your music more loudly. Amplifiers also improve the sound quality of your music at all volume levels.

An amplifier's job is to take a signal from a source (input) and make it larger (gain). The hard part is amplifying the signal without adding any "artifacts" or distortion. Amps must have a power supply strong enough to keep them going and must store enough power (current) to deliver all of the transients (drum kicks, power chords, the slap of a bass guitar) in the music.

Hifonics BXi-1206D Amplifier Mono

RMS @ 4-Ohm: 1 x 450-Watt / RMS @ 2-Ohm: 1 x 900-Watt / RMS @ 1-Ohm: 1 x 1200-Watt / Hifonics New Illuminated Heat-Sink Design With Blue LED Light Pumps / Hifonics Blue Illuminated Logo / Maxxsonics Illuminated "M" End Panel Logo / Heavy-Duty Ultra-Fi™ MOSFETS / Highly Efficient Super D-Class Amplifier Circuitry With Oversized MOSFET Output / Fully Adjustable Accu-Cross™ Crossovers / ±18dB Variable Bass Equalization @ 45Hz / 180° Variable Phase Control (15 to 35Hz) / Dash-Mountable Bass Remote Control Included / Variable 24dB Subsonic Filter / Brutus Pulse Wave Modulated MOSFET EXVP (Exponential Vari-Power Supply) / Twin-Turbo Torroid Coil Design / HSMD Hifonics Surface Mount Design / Balance Line Inputs for our 18-Volt Line Drivers / RCA Line Output for Amplifier Daisy Chaining / Gold Oversized 2-Gauge Power Connectors

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Subwoofers 15" - Power Acoustik FUBR-15 Subwoofer 15"

To choose the right subwoofer, you really have to understand how different subwoofer designs act in different situations and how they work with the rest of your system. We have always believed that the better you understand how to get the most out of your subwoofer investment, the happier you will be when you start to use your new subs. We find we need to teach most customers the fundamentals of subwoofer design and get rid of some misconceptions they may have before they really understand what they need. We don't claim to know everything, but years of experience in all situations has given us insight.

The two biggest determining factors in choosing the best type of subwoofer you need are the subwoofer's specific application, and the type of enclosure you are going to use to reproduce the frequencies right above your subwoofer crossover point.

Power Acoustik FUBR-15 Subwoofer 15" - Subwoofer

2000 Watts Power Handling / 200 oz. Magnet Size / 2.5” ASV Voice Coil / SPL 93 dB / Sealed Box: 2 cu. Ft. / Ported Box: 3.3 cu.. Ft. / Tuning: 34 Hz / Port Size: 4”(dia)x6.75”(length) / # Of Ports:1 / FUBR Series Feature: / Dual 2 Ohm Voice Coil / Die Cast Aluminum / Black Wrinkle Finish With Diamond Cut / Non-Pressed Paper Cone / Wrinkle Finish Front & Back Plate / Large Foam Rubber Surround / 1-Piece EVA Gasket / Black Spider / Woven Tinsel Lead Through Spider / Chrome Screw Terminals

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Tweeters - Kenwood KFC-T207

Tweeters are much smaller units, designed to produce the highest frequencies. And if you think about it, this makes perfect sense. To create higher frequency waves -- waves in which the points of high pressure and low pressure are closer together -- the driver diaphragm must vibrate more quickly. This is harder to do with a large cone because of the mass of the cone.

Kenwood KFC-T207 - Tweeter

13/16" Component Tweeter /Features 280 Watts Peak Power / Frequency Response: 3.5kHz-35kHz / 2-Way Mounting: Flush/Surface

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